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文学评论类论文例文,与英语文学文格式郑州相关毕业论文格式范文

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rtTwoisadetailedanalysisofWaitingforGodotandtheanti-playtechniquesofit,basingonfourtypicalfeaturesofpostmodernism.Itisalsodividedintofivechapters.ChapterOneisthetheoreticalpremises.ChapterTwofocusesonthedehumanizedcharactersand"pairing"relationshipsintheplay.ChapterThreeismainlyaboutBeckett'suseof"directexpression",whichservesasastrategyofdepth-less-nessinpostmodernism.ChapterFourisananalysisof"indeterminacy"inthisplay.Thelastchapterisaboutthejuxtapositionofedyandtragedy.PartThreeisaconclusionofthe
关于英语文学文格式郑州的学年毕业论文范文
文学评论类论文例文
thesis.

ChapterOne

DehumanizedCharactersandPairingRelationshipsinWaitingforGodot

Asapracticeofpostmodernismdiscourse,thedissolutionofthesubjectisaremarkablefeatureoftheTheateroftheAbsurd.Therefore,intheTheatreoftheAbsurd,theimagesofcharactersarereducedminimallyanddeprivedallthecharacteristicsas"man".Generallyspeaking,torepresent"man"isthethemeofliteratureallthroughtheages.Intraditionalplays,playwrightshaveportrayedagroupofcharacterswithsmartbrains,passionatetemperament,eloquentspeechcraft,whereascharactersoftheTheatreoftheAbsurdbelongtothepostmodernistswhoareinthesituationof"burn-out",sotheydonothaveanintegrated"self"butafragmentedone.Theydonotfightagainstormentontheworldanymore.Actually,theyhavelosttheirsubjectivityasmanandbeetotallyspeciousbodies.Havingbeendeprivedallthedignityof"man",charactersarenot"characterized"but"dehumanized"andtheythemselvesareturnedintopartoftheabsurdworld.

1.1TheDissolutionoftheSubject

Postmodernismisanerainwhichthesubjectdissolves.MostoftheideologistsinwesterncountriesbelievethatwithNietzsche'sproclaimingof"Godisdead",thereeswithhumanbeings'death,forallvaluesofhumanbeingsliewithGod.Asitisexpected,ahundredyearslater,Foucaultannouncesthedeathofhumanbeings.Andhesays,"Theexistenceoflanguageesintobeingonlywiththedissolutionofthesubject"(qtd.inYan109).

1.2Depth-less-ness

The"depth-less-ness"isasignificantfeatureofpostmodernism,whichiscalled"flatness"or"superficiality"byJameson(Jameson4).Thedepth-less-nessismeanttoeliminatetheantithesesbetweensurfaceandessence,latencyandpatency,authenticityandnon-authenticity,signifierandsignified.Itaimsattendingtowardssurfacefromessence,towardspatencyfromlatency,towardsnon-authenticityfromauthenticity,towardssignifierfromsignified.Inaword,profundityisgoingtobereplacedbysuperficialityhere.Jamesonexplainsthis"depth-less-ness"asalossofthehermeneuticrelationshipbetweenanimageandtheviewer:

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Theviewercannolongerinterpretanimage,duetothedepth-less-ness,thesurfaceoftheimageisalsothemeaningoftheimage,forthereisnolargerordeepermeaningwhichcanbeinterpretedthroughanencounterwiththetext.Thereisnomeaningbeyondtheimage.Thesearchforgreatermeaningorunderstandingofhumanityconnotedintheimageisfone(Jameson8).

1.3Indeterminacy

Thistermincludesallmannerofambiguities,ruptures,anddisplacementsaffectingknowledgeandsociety.AccordingtoHassan,indeterminacy,whichhasvariousderivativemeanings:ambiguity,discontinuity,heterodoxy,pluralism,disanization,rebellion,misinterpretationanddistortion,isabasicfeatureofpostmodernism.Theindeterminacyofpostmodernismliteratureisalsoreflectedinfouraspects:indeterminacyofthetheme,indeterminacyofcharacters,indeterminacyoftheplotandindeterminacyofthelanguage(Liu,YangandZeng15).


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1.3.1IndeterminacyoftheTheme

WorksCited

Andonian,CathleenCulotta.TheCriticalResponsetoSamuelBeckett.WestPort,Conn:GreenwoodPress,1998.

独着姓,名.书名.出版地:出版社,出版年代.Horton,RodW.,andHerbertW.Edwards.BackgroundsofAmericanLiteraryThought.NewYork:Appleton-Century-Crofts,Inc.,1952.

Atwan,Robert,DonaldMcquade,andJohnWright.Edsels,Luckies,andFrigidaires:AdvertisingtheAmericanWay.NewYork:Dell,1979.

两至三名作者

姓,名,名姓,and名姓.书名.出版地:出版社,出版年代.

Baym,Ninaetal.TheNortonAnthologyofAmericanLiterature.NewYorkandLondon:W.W.Norton&,Company,2003.

四名或以上作者姓,名,etal.书名.出版地:出版社,出版年代.Stewart,DonaldC."WhatIsanEnglishMajor,andWhatShouldItBe"CollegeCompositionandCommunication40(1989):188-202.

一位作者写的文章

曹波."论贝克特的荒诞派戏剧艺术."外语与外语教学2004(3):29-31.

蓝仁哲."感受荒诞人生见证反戏剧手法—《等待戈多》剧中人及其处境."外国文学评论,2004(3):74-80.

李维屏.英美现代主义文学概观.上海:上海外语教育出版社,1998刘象愚,杨恒达,and曾艳兵.从现代主义到后现代主义.北京:高等教育出版社2003.

严泽胜."荒诞派戏剧的后现代审美特征."国外文学,1992(3):109-114.

朱虹.英美文学散论.北京:三联书店,1984ztflh.jourserv./

文学:I106

文化:G0

翻译:H315

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